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Epcot

5 bytes added, 23:44, 13 October 2016
/* Development and Construction */
====Development and Construction====
[[Image:FloridaWalt3epcotconstruction.jpg|thumb|400px|The World of Motion (front), Universe of Energy (middle) and Spaceship Earth (back) under construction.]]
Following Disney’s announcement of EPCOT, plans for their newest theme park remained in flux. By 1976, the scope of the project had been narrowed, with one section of the park being the Future World Theme Center, and the other section being World Showcase. Imagineers Marty Sklar and John Hench literally had pushed models of the two areas together, creating the unified EPCOT that would eventually be built <ref> https://sites.google.com/site/theoriginalepcot/becoming-epcot-center </ref>. During the ongoing development, the name of the park was changed to EPCOT Center, and the parameters of what the park would include were more clearly defined. The Future World portion of EPCOT Center would contain various pavilions including: [[Spaceship Earth]], [[CommuniCore]], the Life and Health Pavilion, the [[Transportation pavilion]], [[The Seas]], [[The Land]], the [[Space pavilion]], and the [[Energy pavilion]] <ref> http://www.mainstgazette.com/2010/04/master-plan-5.html </ref>. Like Future World, World Showcase had also changed dramatically since its initial incarnation. By 1977, World Showcase was designed so that all of the countries’ exhibits were now surrounding a central lagoon. Another change in the area had to do with the exterior architecture. Initially, Disney (and CEO Card Walker) had wanted the exterior facades of each country’s pavilion to be identical, and interconnected <ref name= "primer"> Crawford, Michael. The Progress City Primer: Stories, Secrets, and Silliness from the Many Worlds of Walt Disney. N.p.: Progress City, L.L.C, 2015. Print. </ref>. Imagineer Harper Goff on the other hand, felt that the pavilions should be highly themed and unique, with landmarks from each country drawing guests towards the pavilion <ref name= "primer"/>. Although Goff’s idea was initially rejected, the Imagineer continued to press the issue. One day, when various international sponsors were touring the plans for World Showcase, Goff left paintings of the highly themed and aesthetically pleasing pavilions on display<ref name= "primer"/>. Due to the enthusiastic response of the investors, Goff won out, and World Showcase was given unique exterior<ref name= "primer"/>.